The style is instantly recognizable to his fans and likely to promptly convert those who aren’t yet fans. It is little wonder that his chops are almost always on-point. Sometimes, having friends in the right places helps a great deal. King’s Blues Club It contains the kind of raw, explosive power that any fan of the genre has come to expect, and in addition, it features a danceable bounce that will likely to appeal to fans more geared toward classic R & B. Best Blues Albums 2020 – So Far 12 of the Best. All told, Royal Tea, is exactly what a fan of Bonamassa has come to expect. In 1997, Kenny Wayne Shepherd made the number three spot on Guitar World magazine’s list of the most popular blues artists. In time, it may rank as one of the very best blues songs of all time. Welcome to the 2020 FORM UKBlues Awards Website. Christone “Kingfish” Ingram, Instrumentalist Bass But it seems likely that both problems will work themselves out in time. Perhaps his most endearing quality for his fans is his resistance to change. Robert Johnson 20. On this song, Wilson’s harmonica must be heard to be believed. ‘Struggle for Grace’ offers the best showcase of the bluesman’s pipes, demonstrating his range, his power and his warmth. This is their first release together, but ‘100 years’ sounds as effortless and organic as something you’d expect from friends with a decades-long history of collaboration. – The Nick Moss Band Featuring Dennis Gruenling, Traditional Blues Female Artist  (Koko Taylor Award) So it should come as no shock to learn that Bonamassa’s latest effort is as consistently solid as anything he’s ever created. Alligator Records will release 2020 Blues -- New Music From Alligator Records on Friday, August 21, 2020.The digital-only sampler features fresh material from five to-be-released full albums. Peter Green 10. The album’s closer, ‘Rock and Roll for the soul’ is just that. As with any time-tested blues star, Landreth only grows in stature with each passing release. At the rate Ronnie Earl & the Broadcasters are keeping up with the times, we can expect to hear great music from them for another thirty years — at least. A Gypsy Woman Told me is a truly stunning album. That brings us to his latest offering That’s What I Heard. It’s a fine enough album closer to make you forget that Stronger that strong is at times a little uneven. She and the presenters which included Ruthie Foster, William Bell, Beth Hart, Charlie Musselwhite, Warren Haynes, Keb’ Mo’ and Fantastic Negrito all did their parts remotely from their homes. Not that this blues bash ever threatens to slow down. As admirable as Dion’s efforts are, his vocals, while pleasant, lack the sheer power needed to give these songs the sheer grit they deserve. And in case you’re wondering, Johnny Iguana is the right pianist. This band packs a powerful sonic punch that could fill any room. The rest of the top 20 blues artists reads like a who's-who of legends. And the album’s other highlight is the soft, slow ‘Rambling Blues.’ Much more than a platform of musical skills, this album reminds us how dark, dangerous and reckless the genre can become when done right. ‘You’re Gonna’ Need Me’ may be both the album’s funniest and saddest track. Veteran singer/songwriter Dion DiMucci has seen enough dramatic shifts in his career’s direction to last a few lifetimes. Uncivil War would not have been possible by a less time-tested voice. But the album’s most inspirational track may be ‘Give God the Blues,’ a gospel/blues hybrid that simultaneously reminds the blues listener of the genre’s spiritual past and takes us to the present by asserting that the ugliness of humanity does not come from above. This is the voice that couldn’t give witness to a lie if Smither wanted it to. Nothing complicated here, just good old fashioned blues you can shuffle to. Everything works to some degree, but King’s vocal chops are more vividly on display when things slow down as they do on ‘Wildflowers and Wine’ and the soulful ‘One Day She’s Here.’. Another strong example is the dance track ‘Sweep the Shack.’ It’s a simple tale about a man who’s eager to finish his day of work to get back into the arms of his beloved. Sugaray Rayford, Band of the Year The plaintive voice of Chris Smither has served him well for decades. There are those who believe the blues is a musical idiom that can only be mastered by Americans. And the album — like any blues release — does feature its share of downers. Overall, it’s pretty clear that Savoy Brown ain’t done yet. In times like these, it’s vital to get the occasional reminder of how fun the blues can be. These guys are the real thing. Uncivil War is a staggeringly ambitious album and because Shemekia Copeland has the skills to see it home, it may be the year’s best blues album. Standout tracks include the soulful B.B. Anyone searching for the singer’s best work should remain in the realm of mainstream pop.eval(ez_write_tag([[300,250],'allaboutbluesmusic_com-medrectangle-3','ezslot_2',126,'0','0'])); Having said all that, Dion’s ‘friends’ do a more than capable job of compensating for the weaknesses of the the album’s star. He began as a doo-op singer, peppering the pop charts with such hits as ‘The Wanderer’ and ‘Runaround Sue,’ then moved in the direction of folk with the 1968 smash ‘Abraham, Martin and John.’. It features a good man feeling bad and sharing his anguish through both vocals and his harmonica. Meanwhile, ‘Hot’ refocuses the attention right back to Cray’s guitar playing as a scorching demonstration of his ability to set the fretboard ablaze. This Guitar and Tonight – Bob Margolin, Acoustic Blues Artist, Sponsored by Folk Alliance International The full-voiced tenor has created an album that has its share of weaker moments, but on balance, Take Me Back is a strong work and fine introduction to the fan who’d never before experienced his output. 2020 is shaping up for a year with some excellent emerging artists. With guest vocalists Chris Cote and Michelle Wilson, Blues Bash is as much fun as you’d expect an album called Blues Bash to be. As its title suggests, it’s a blues album that features a number of stunning cameo performances from noted stars of the blues world. The album closer, ’Father’s Day,’ is a heartwarming song that wins the listener over completely.

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